Why is copyright important for the creative
In music security is an important aspect of artistic growth here we see why security is important in the music sector: Why is copyright important for the creative?
Copyright plays an essential role in any developed sophisticated society. If society is to recognise creativity, innovation and imagination, then copyright is the principal tool by which we accord that recognition. This is economically expressed by the award of a range of exclusive rights that grant the owner the
power of control and the right of commercial exploitation.
At the end of the day, the rights of copyright are an award for innovation, creativity and risk taking. It is recognition that both the culture and the economy of our community are dependent on encouraging and fostering these characteristics.
Copyright underlies most of the ways that people make money out of music. It is fundamental. To make real money in the music industry, talent is optional
but copyright is indispensable. When you consider the following points, you will see why. They all involve payment for the use of copyright material.
Most songs that are recorded are copyright. Even the sound recording itself has a copyright.
Much of the sheet music published is of works that are in copyright and are only able to be published because the publisher has bought or licensed the necessary rights of copyright to do so.
There is a copyright in the published edition, distinct from the copyright in the composition itself.
Most of the popular music played in live performances is in copyright.
Merchandising involves the use of copyright material.
Playing music in public places, such as shops and lift s, usually requires payment of licence fees to the copyright owners.
Communicating music on the internet usually requires the consent of copyright owners.
Virtually no fi lm or television drama is now made without the use of music and thus the use of copyright.
Most radio and television commercials use copyright music.
Every time you listen to music on the radio you are listening to the result of several contracts involving copyright. Like the beat, the list goes on. Whether you are a musician, a manager, a publisher, a record company executive or an entertainment industry lawyer, your income is based largely on copyright. You should spend some effort on getting to understand the basics so that you maximize your rewards. It is by exploiting your copyright that you make real money from your music.
WHAT IS COVERED BY COPYRIGHT?
Copyright protection is given to two classes of things: Works (i.e. musical, literary, dramatic works and artistic works which include photographs); and Subject matter other than works’ (i.e. sound recordings, broadcasts, published editions and film or cinematography works).
WHAT RIGHTS DOES COPYRIGHT INCLUDE?
Copyright is a bundle of rights. Copyright in a work includes the exclusive right to:
Reproduce the work (this includes reproducing it in sheet music or on records or synchronising it in films, television programs and advertisements)
Publish the work (e.g. by lawfully supplying copies of it to the public) Communicate the work to the public (examples include live performances, playing recorded music in public, playing music on the radio, television and, vitally to the modern music economy, via the internet) and
Make an adaptation of the work (e.g. arrangements, transcriptions, parodies).
REPRODUCTION
Although the term ‘ reproduction is used a lot when we talk about copyright, many people misunderstand the term. Reproduction may take many forms. Although it is most usually used as a synonym for copy it actually has a wider meaning in copyright law, for the copy does not have to be exact. It need not be a copy of the whole work, merely a substantial part of it.
A recent case study is of Kanye West purchasing a picture of the late Whitney Houston ‘s bathroom appearance to bring out the meaning of Pusha T ‘s album Daytona which depict stories of depression & endless struggles, the picture was purchased for nearly $85.000 in copyrights
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